A Seal Animal With Markings That Looks Like A Flower Major Differences Between Chinese and Japanese Cloisonne

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Major Differences Between Chinese and Japanese Cloisonne

Cloisonne are metal objects made with intricate designs and artwork which have been a unique part of art and creativity since ancient times. It is a unique way of designing metal objects with precious stones, glass materials, enamel paints and other decorative objects that make this art an advantage over other craft materials. Decoration of metal objects by first adding metal objects separation with gold and silver wire. After the welding is done, they are finished with enamel paints and then baked in the oven. This work of art has its existence since ancient times and has been old since the 13th century BC.

The existence of this work of art has been mainly in Europe, Asia and North America. However, this delicate work of art has its existence mainly in China and Japan. Although Chinese and Japanese clothing are almost similar, there are still some differences that will help you buy the right piece of art.

In this article I will provide you the common difference between Chinese and Japanese clothing.

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1. The simplest and easiest way to distinguish between Chinese and Japanese clothing is to look at the border and edge of the two metal objects. Chinese cloisonné are smooth and bright turquoise interior finished products. In contrast, Japanese cloisonne have an orange peel texture to the enamel. The Chinese pieces have their borders decorated with Ruyi. Ruyi are colorful decorative items which are 1 inch in width. They look like an upside down clover leaf with a dot in the center of each clover. However, Japanese clothing does not have such wide limits on their metallic pieces. Instead they use thin rim decorations which are mostly reddish brown, blue or green. These fine decorations are dots that are decorated on the edges of the metal part.

2. There is a striking difference in the birth of clothing objects in China and Japan. Chinese clothing was well developed and open to trade before Japan. In contrast, Japan has always kept itself safe and protected from the whole world and so they developed this art and started trading a few centuries later. Chinese cloisonné began the development of this artwork as early as the 1300s and was gradually adapted by other artists. Japan also first adopted the Chinese method of decorating metal vases and bowls in the 1830s and recently in the 1870s they developed their own unique style of creating and finalizing the artwork. So, in other words, we can say that the roots of cloisonné lie in China and later in other countries. However, the Japanese have proven themselves an ace in the clothing department.

3. Although Japanese clothing was created late, however, they have excelled in past China. And henceforth, Japanese clothing has a greater variety of clothing compared to Chinese clothing. The most famous types of Japanese clothing are Ginbari, Akasuke and Totai. The differences in all three styles lie in their finish. Totai was clad in a brown tree bark texture, Ginbari in bright, translucent enamel, and Akasuke in a clear red enamel.

4. The difference also lies in the signs or seals of clothing from two countries. Chinese clothing was often stamped or marked with bright enamel. Stamped was impressed between 1897 and 1921 for the export trade and was often coded “made in china” after 1921 and only “china” from 1897 to 1912. In contrast, Japanese cloisonné were not marked or stamped. This was mainly due to the fact that Japanese clothing was exported by domestic customers who did not require any export marks.

5. There is a slight difference in the enamel coating of the coating of the coating of the two places. The bottom of the chinaware is coated with enamel to toughen it up for the high heat of the oven. The enamel coating was done to protect the base from cracking or warping from overheating. Japanese cloisonné had no such enamel coating and instead they were decorated with cloisonné wire with orange peel textured inlays.

6. The designs of the two artworks were also different. Chinese clothing was mainly designed and decorated with symmetrical designs symbolizing nature such as seasonal flowers or the Buddhist lotus pattern or mythical animals such as the kara-shishi, winged horse or phoenix. Japanese cloisonne used symbols such as the symbol of the empress or emperor of Japan. They mostly use asymmetric designs with a more crowded look than Chinese clothing. A common design that was used by both countries was a dragon motif. The only difference in the dragon motif lies in the number of fingers depicted. A Japanese garment had three toes depicted, while Chinese garments had four or five toes depicted.

7. Regarding the gilding and finishing of the two garments; Chinese clothing uses gold plating to protect it from the heat. Often the surfaces of Chinese clothing are glassy and brightly colored. In the case of Japanese clothing, all metal objects are not gilded, but instead have a combination of copper, silver and bronze wire.

8. Most of the Japanese garments were of unusual shapes and sizes in contrast to the Chinese garments which had a symmetrical shape consisting of incense, a vase and two candlesticks.

9. Japanese dress bodies were mostly made of copper or bronze and Chinese dress had bronze bodies. However, copper-sheet bodies in Chinese clothing were introduced in the early sixteenth century.

10. Compared to Chinese clothing, Japanese clothing is smoother and reflects light.

I believe that the more we can understand the difference between Chinese and Japanese clothing, the better we can distinguish between the two and the more knowledge we can gather when purchasing them. Although there is a difference between the two places, yet you will find a wide variety of antique designs and creativity in both these metal parts.

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