A College That Would Be Good To Work For Animation Under Recognized – An Interview With Armel Oenn

You are searching about A College That Would Be Good To Work For Animation, today we will share with you article about A College That Would Be Good To Work For Animation was compiled and edited by our team from many sources on the internet. Hope this article on the topic A College That Would Be Good To Work For Animation is useful to you.

Under Recognized – An Interview With Armel Oenn

“Know your worth because schools don’t teach artists what they’re worth. Most clients will cut young artists because they don’t understand how to get paid. If you’re going to work for free, work for yourself: That’s exposure most rewarding.” – Armel Oenn, November 10, 2017

Memory is fuzzy and it took a while to really piece together all the details of how I first came across Armel’s work. I remember browsing Deviantart art and discovering the full Undertale Reset comic (the one that’s finished) while at work on a slow day. It was magnificent. The sepia tones, her understanding of lighting and the overall artistry of the figures were mesmerizing. It was the colors that really inspired me. Even to the extent of visually studying her work to try and understand what she was doing. Compiling my understanding of other Adobe software in an attempt to replicate it. I was immediately drawn to her illustrations and my search for more insight brought me to her official website. Around this time school projects were coming out and I needed to find someone I liked to pair with another Illustrator for our assignment so I thought “why not?”

Part of the many activities I enjoy is research. I’m driven by raw excitement when I find something new that I don’t understand or know enough about. I had a similar reaction when I started the writing assignment for Armel. I searched every corner of the internet to find as much as possible. In that search, I came across a handful of works that I would like to discuss. While I adore all of Armel’s art, my personal favorite would be “You’ll Be a Man.”

“You’ll be a man” is a short film created by Armel Oenn, it is her French thesis project that was made using the traditional animation studio production method. This video is her only animation project (animated storyboard) and was made in 2012. She was assisted by Cécile MARIAN and Victor CHEA as voice actors and Mathieu DAHAN as main music composer. Its story takes place in a world where society has been destroyed by cloned machines that look humanoid. These young humanoids are quarantined from the rest of humanity, and any escapes are often dealt with in one way or another.

The focus of the story is on a group of friends in this strange time who fantasize about the glories of war. Unable to understand French, most of the details are unclear, but despite this Armel’s animations manage to convey the story even with the language barrier. The worst aspect of these friends was their outright cruelty to any of the machines that managed to escape confinement. This story, as an honest statement, drew emotions of anxiety and guilt after seeing it. I remember seething with rage when the injustices were executed. I remember the sinking despair when there was no choice after these events. This left powerful emotions within me and they resonated for days when my mind would return to those scenes. I didn’t know how to handle it. I am used to a society where there is often a happy ending and where justice tends to be given to those who deserve it. Seeing that little girl die and knowing the guilt Jasper felt after the action he took to save his life. It left me depressed about the whole situation and reminded me of my mistakes and unresolved injustices. History spoke to humanity and truly revealed our imperfections. The machines in history were more human than the people themselves. Despite these raw emotions, I enjoyed the story. I loved that it brought so much out of me, made me feel, and didn’t let me down like so many stories do today. My research on Armel did not stop there. Finding that story was just the beginning, and from that moment on I found myself inspired and amazed. Not only from her works, but with the artist himself.

Armel Oenn was born in 1987 in France, to a family that wished only the best for her daughter and her future. Seeing that at a very young age she had developed an extraordinary talent in art, they handed her over to her grandfather in the hope that her talent would grow. For two years, her grandfather taught and trained her in the basics of the art. It was a mixed experience as the artist reflects that her grandfather was not a skilled lecturer, eventually instilling a hatred for coloring and ink or anything similar and developing a love for pencil drawing and anatomy. One afternoon, after two years of being under his care, he informed him that he could teach him nothing further. She had progressed beyond his expertise and, from that point on, had to continue on her own. He threw a stack of books and studies that had once belonged to him onto the table, ending the lesson by handing her the first art book in the stack, a retrospective of Leonardo Da Vinci’s life. After that day, she tried to study this art library with vigor, to show that the binding of the books would come undone and the pages would be separated.

At the age of 13, she was immersed in the idea of ​​creating stories. Generating over 100 stories in a year. Sharing them with close friends who supported him through some difficulties at school and pushed Armel to create as much as possible. As the years passed and her friendship grew, waiting time became a storytelling moment in which she walked the yard, counting out to her friends the next episode she had created. One day as she was describing the end of her latest fairy tale, she noticed a sniffing sound. She returned to find that her friends were touched and some were even crying. The story she had told had stirred in them a feeling that filled her with joy. Armel knew from that moment that drawing emotions from the audience would be her goal. To see another person react to her work, to the story she created, was her desire in life. She wanted to make people feel. This passion crossed over into several mediums, despite art being her most skilled skill. She experimented with movies, writing, comics, and just about any other method she could discover that would allow her to share her tales. She believed that comics would not be enough to show everything she wanted to give. It was a slow rigorous process and she had hoped that perhaps through film she would be able to share her stories at a faster pace. She comments now that it isn’t and is just as slow if not slower.

Through several arguments with her family that included changing her mediums and fearing that she would give up on art, Armel tried to bend to their wishes to appease them. She eventually realized through a conversation with an instructor that there was a solution to her problem: animation. With the family relieved and the oppression lifted, Armel found her passion once again. Entering competition after competition to apply to schools in France, she was eventually accepted into ENSAD (Higher National School of Decorative Arts of Paris) graduating with a Masters in Fine Arts and Animation.

It is considered one of the top-ranked schools in its district, and out of 6,000 applicants, only 80 students are accepted each year. However, it should be noted, ENSAD’s concept of art is very different from what we might expect from an art school. In the US, we emphasize technical skills and understanding the basics. But in that school, their art was subjective and conceptual. It was noted by one of Armel’s instructors that she could have graduated with them, but she did not learn her skills from the college itself, but from outside influence. During her junior year of college, she won a scholarship to go abroad to New York. Her work was so appreciated and sought after that the head instructor of the animation department sent her a recommendation to spend a year studying at SVA. Even introducing him to a man from Pixar, which sadly didn’t follow due to technical difficulties. There have been complications for her stay at SVA due to lack of funds and the school’s problem with skipping a year. The deal was to allow her to stay through both the summer and fall semesters and graduate from New York, which she did, in addition to being named to the Dean’s List for high academic performance.

Armel went on to make many other achievements, such as working as an advertising illustrator and animator for Intel and Samsung, or assisting animator Bill Plympton on his latest feature film “Revengeance”. One of her biggest achievements was when her short “4 O’clock” won the award for Best Short Animation at the 2010 Imagine Now Toulouse Festival and the 2017 Barcelona Planet Film Festival. these awards, her short film has screened at several festivals over the past two years and was recently added to the library of HEWES Pictures in New York for a 4-year national distribution license.

However, in recent events, Armel has experienced some strife over the past four years in the US. It’s a struggle to make ends meet and a struggle to survive in what we all know is the land of the American Dream. Our home was a place where anyone could enter our borders and find the future they wanted. But this is a long journey of hardship and determination. The hopes and dreams of people who come to America, of those who are sincere in their intentions, may find it difficult to maintain a firm footing.

For Armel it has been a constant battle. After being released, following the merger of the agency that employed her, she continues to fight for her right to stay in the US, obtaining a visa for exceptional skills, building her own studio to continue the dream. Fighting every obstacle she ran into. But she has hope that she will get through it all, no matter what comes her way.

Armel Oenn is in serious need of support. She is an admirable woman. For what it’s worth. I find it underrated, people really need to know more about it. Her story, what she wants to share, and most importantly her indomitable spirit and courage. She has been given the short end of the stick at every turn and despite these shortcomings, Armel has never allowed herself to completely succumb to the iron fist of social opinion, politics and cruelty. She is an inspiration. My inspiration and I want to own that fire that she has because it is unstoppable.

Getting the strength to contact him in the first place was the most shocking experience of my life. I was truly humbled not only by her incredible skills as an artist, but also as a person as a whole. However, the moment I started my interview for him, it opened up a whole new world of thought and conversation. It was no longer an interview at that point for me, it was a gift that kept on giving. Her tips were free, much like an American Illustrator known as Al Parker. People described Al Parker’s generosity with such fondness, and the two share that grace. I felt her pain during past conversations and the emotions of joy when she had a success in her life. I really want to support her and follow every step of her career. I know I have repeated it more than once, but I do it because I want to emphasize it. I am inspired.

I see an incredible artist and I know there are many of you out there who see the same. The best we can do for Armel right now is to give her our support and show others who don’t know how much she is worth. I want to help her stay in America and I want to see her dreams come true. Let’s rally for her and give her the support she needs.

Video about A College That Would Be Good To Work For Animation

You can see more content about A College That Would Be Good To Work For Animation on our youtube channel: Click Here

Question about A College That Would Be Good To Work For Animation

If you have any questions about A College That Would Be Good To Work For Animation, please let us know, all your questions or suggestions will help us improve in the following articles!

The article A College That Would Be Good To Work For Animation was compiled by me and my team from many sources. If you find the article A College That Would Be Good To Work For Animation helpful to you, please support the team Like or Share!

Rate Articles A College That Would Be Good To Work For Animation

Rate: 4-5 stars
Ratings: 2862
Views: 76856153

Search keywords A College That Would Be Good To Work For Animation

A College That Would Be Good To Work For Animation
way A College That Would Be Good To Work For Animation
tutorial A College That Would Be Good To Work For Animation
A College That Would Be Good To Work For Animation free
#Recognized #Interview #Armel #Oenn

Source: https://ezinearticles.com/?Under-Recognized—An-Interview-With-Armel-Oenn&id=9855997