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Passion For Light
As a child, I made Christmas cards for my family, little snow-filled house scenes. I applied the glitter to the snow – and it was magic, too, because the snow I had painted reflected the light, just like real snow. Everyone in my family loved cards.
Later, in art school, I learned how to paint and draw shadows, a very important skill for creating volume in a two-dimensional world. And this is, today, what I still learn. The ability to make light and show creates a dimension that synthesizes three-dimensional volume. We are all inclined to see this third dimension in a two-dimensional illusion. This is the way we see.
I got a job as an assistant in a lighting showroom. It was only going to be a temporary thing while I put my studio together, but I found I was really interested and eventually, I took the test to become a Lighting Specialist. I enjoyed advising clients on lighting options and the whole retail aspect.
I began to see that light was important in my work as an artist. If I sculpted the figure of a horse, it was important to me how the light illuminated the three-dimensional object. When I painted, I discovered that light introduced two-dimensional surfaces in two ways: one, when light and shadow using light colors and dark colors were depicted, and two, when simply using the colors themselves I could go from light to dark. and describe. light and shadow in this way. Then all the things from art history, grids, painting light and shadow to describe space came to my memory and I started painting in that way. The effects were amazing.
THE HISTORY OF UNLIMITED LIGHT
Light and shadow wasn’t always what art was about. In many cultures today and in Western civilization from primitive times to the Middle Ages, the description of volume and dimension was not important. Icons, religious images that were drawn or painted did not need a depth of space. Flat, iconic symbols of religious deities and figures representing social concepts and spiritual inspirations had no need for space, light and shadow
In the Renaissance, artists began to create space built on perspective and light-shadow. They built large, framed and often wheeled windows. On the surface of the glass they drew a grid. They wheeled the grid to what they wanted to paint, a landscape, a group of figures or a figure and they worked from the square (a specific grid space.) They had to sit very still and not move too much, or their vision of looking through the glass mesh and their subject matter may change.
Artists such as Michelangelo, DaVinci and Albrecht Durer, who used this grid, began to see how the objects they were looking at were drawn into space – that is, at a distance, things were reduced to very precise increments. This recession of objects in distant space would become a real mathematical calculation. It was a brilliant mixture of science and art – so typical of the dynamic of Renaissance knowledge.
This drawing and painting of the illusion of the third dimension by using a grid to locate objects in space and transfer them to a two-dimensional plane became the way we see things today. We look at magazines, videos, movies, apps, and with this new visual data, we never question our visual alliance with the illusion of the third dimension. And we react consciously and subconsciously to this illusion. A horror movie can give us a fear so deep that it affects our behavior, possibly for the rest of our lives. Or a pleasant scene in a movie, a magazine, or a website on the Internet can stimulate and enhance certain memories that calm and soothe us. We are, indeed, believers in illusion and are very absorbed in what we see.
Over thirty years of teaching art, working as a lighting specialist and artist, I began to see that light is a very personal thing – a driver of my artistic endeavors. I see, through teaching and retail interactions, that we are all greatly affected by the quality of light. I can see, although I have not researched this scientifically, that light affects us much more than we think. The qualities of light in a workplace affect our work habits. In our homes, our lighting plays a large part in how we interact with our environment. I know this from years of consulting and recommending lighting solutions and receiving positive feedback from my clients.
The way we perceive events in our lives, and especially aging, is affected by lighting. I think that early in our development as human beings, the rising and setting of the sun was very important spiritually and logically. Many cultures: Stonehenge, Peruvian Indians developed their cultures around the sunrise and sunset. Artificial lighting has overtaken us, expanded us into a time zone where we can work more, but also create more. It has also demystified the sun’s rule of our lives because we have created our own illumination. This has also been a huge cultural change.
Now that I am 70 years old, I see that the light in its many manifestations has guided me along the course of my existence. When I was building my artwork for a graduation show at Pratt Institute, making carved shapes out of old doors, I sprayed the cracks of those structures with iridescent paint and played black lights over my structures. What I wanted to show is that those iconic figures, so medieval in form and carved out of the doors, were illuminated by light that was very contemporary. There was a spiritual quality to it that was medieval, a kind of reverse church window where the light came out of the church, rather coming in from the outside.
Since then, my artistic endeavors have been guided in many fields: collage, printmaking, oil, painting, watercolor, acrylic painting, mixed media, quilting, art clothing and more. In every research into the materials and techniques and skills required to master those fields, light has always been behind those projects.
My feeling is that light is also a life-generating factor that imbues each of us with a primal, spiritual force and that we are very happy with it. But if we sit, just for twenty minutes, in a certain corner of a room and look at the light on some certain object, we will begin to see how this incredible phenomenon can affect our lives. And perhaps, what will be discovered is that the concept of light perception has been proven, through many definitions of light in many languages, to define inspiration, spiritual contact, realization and visualization that advances creative thought and action.
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